James Walker and Ed Boase are both 18 years old and are students in
their A-Level year at Radley College, Oxford, where they formed Quadrant
Productions in 1995. Their first success came at the 1996 Edinburgh festival,
where they performed Frank McGuinness' Someone Who'll Watch over Me
to considerable acclaim ('Strong, credible and profoundly moving'
The Scotman). Since then they have recently made their first film,
Taboo, which stars Desmond Llewelyn ('Q' from the James Bond films
and most recently Goldeneye), a 40 min. feature which they hope
will be screened on HTV or BBC Wales (the film uses a Welsh castle as its
location). The film, which was directed by Ed Boase and written and acted
by James Walker, has attracted considerable press attention from, among
others, The Western Mail, The Times and the BBC World Service.
Taboo is due to receive its World Premier at the Phoenix Cinema in Oxford
on 28 June, 1997.
Quadrant Productions are now writing a one-man show based on Oscar Wilde's
son, Cyril Holland, and intend to tour it around the US from September
1997 to February 1998. The show will run for approximately 1 hr. 15 mins.
and will be acted by James Walker whilst Ed Boase shall direct and produce
the show. The show approaches Wilde from an entirely unexplored theatrical
angle: not what it was like to be Oscar Wilde, but what it was like to
be the son of Oscar Wilde. What was it like to have a father who was the
darling of society, always in the public eye whilst at the same time leading
an extraordinary homosexual double life? Then what was it like to have
that father suddenly torn away from you at such a tender age to be shunned
by society, forced into foreign exile and uncomprehending shame? The script
will attempt to find the child in Wilde, drawing from his largely unrecognised
Fairy Stories and extraordinarily imaginative prose poems.
One of Wilde's two sons, Cyril Holland, came to Radley College (where
Quadrant are based) in 1899 and left in 1903. However, in 1899, Wilde was
so disgraced that Cyril took his mother Constance's maiden name in order
to avoid recognition. It was not in fact until the 1950's that Cyril Holland
was even acknowledged in the Radley Register as the son of Oscar
Wilde. The Radley Archives have shown how deeply Cyril was tainted by the
secrecy and ill-repute of the Wilde name, and after his father's death
in 1900 he seems to have been on a quest to prove his manhood in defiance
of his fathers supposedly effeminate aestheticism. It is hoped that the
traditional American fascination with the British Public School system,
coupled with the fact that Quadrant come from the same school as Wilde's
offspring should interest American audiences.
Most of the English speaking world is on the brink of a huge Oscar Wilde
revival at this very moment, with plays such as Lady Windermere's Fan
running at the West End, along with Simon Callow's one-man show entitled
The Importance of being Oscar. Quadrant met with Simon Callow to
discuss Born to be Wilde and as a Wilde scholar, Simon Callow thought
that the new angle the show proposed on Wilde was fascinating, and he put
Quadrant in contact with Merlin Holland, both a personal friend of Callow's
and the grandson of Oscar Wilde. Meanwhile, in the US The Trials of
Oscar Wilde is running off-Broadway to great acclaim and is expected
to extend its run, whilst the single biggest trigger will be a film of
Wilde's life which comes out in September and stars Stephen Fry as Wilde
himself. Simon Callow has predicted that the Oscar Wilde revival will be
comparable to the Austen euphoria generated by the literary world last
year. In view of all these facts, it is quite possible that Born to be
Wilde might just tap into a rich vein at just the right time..
Oscar Wilde undertook a lecture tour of the US from January-October
1882 following the recent success of his plays, including Vera.
He was aged 28 when he embarked on the tour, which means that as Quadrant
retrace his steps across America, they will be doing so 115 years later
and 10 years younger than Wilde himself was. The show will travel across
the US and will be performed in the same theatres, schools, bars and cultural
societies that Wilde himself visited.
Quadrant Productions Homepage
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Itinerary
August 1997 |
26 |
Vancouver |
September 1997 |
|
12 |
Leave Vancouver |
15 |
Sacramento |
16 |
Arrive San Francisco |
24 |
Leave San Francisco |
25 |
Palo Alto |
26 |
Santa Barbara |
27 |
Arrive Los Angeles |
October 1997 |
25 |
Leave Los Angeles |
27 |
Las Vegas |
28 |
Grand Canyon |
31 |
Arrive Navajo Indian Reservation |
November 1997 |
12 |
Leave Navajo Indian Reservation |
16 |
San Antonio |
17 |
Houston |
20 |
Arrive New Orleans |
December 1997 |
5 |
Leave New Orleans |
7 |
Memphis |
10 |
St. Louis |
11 |
Springfield |
13 |
Bloomington |
15 |
Chicago |
19 |
Fort Wayne |
21 |
Detroit |
23 |
Arrive Ann Arbor |
27 |
Leave Ann Arbor |
27 |
Hamilton |
28 |
Arrive Toronto |
January 1998 |
7 |
Leave Toronto |
8 |
Niagara Falls |
10 |
Buffalo |
14 |
Arrive Washington DC |
24 |
Leave Washington DC |
25 |
Baltimore |
27 |
Philadelphia |
28 |
Atlantic City |
30 |
Arrive New York (Babylon, Long Island, Long Beach) |
February 1998 |
10 |
Leave New York |
11 |
New Haven (Yale) |
12 |
End of Tour |
|